Delirious Beijing: CCTV by OMA and Urban Experiments in the 21st Century Chinese Capital
Inside Bernard Gilardi’s “Outsider Art”
Burial’s Untrue: The Sonic Power of Evoking Emotion
Influential Liminality: Eunuch Participation in Northern Song Dynasty Artistic Production and Collecting Practices
Plotting Nature: Curiosity and Control in Dutch Garden Design
“Sick Excesses”: Voyeurism, Pathology, and the Spectacle of Female Pain in Celebrity Photography
Fashion Exhibitions as Participants to the Participatory: A Study of Mugler’s “Couturissime”
The Wendy-verse as Resistance: A Doubleweave Reading of Wendy’s Revenge
Hype Williams as Cultural Animator: The 90s Hip-Hop Music Video as Eye-Witness to Conspicuous Consumption and New Modalities of Globalized Tastemaking
Dolls that Appall: An Analysis of “Black Canadiana Memorabilia” through “Mammy” and “Topsy” Stereotypes in Twentieth Century Canadian Dolls
For Everyone an Isolated Garden
Intersecting Identities in the Images of Claude Cahun
Crafting Identity: Rembrandt’s Early Self-Portraiture and His Approach to the Market
The Warning Within Zach Blas’s Facial Weaponization Suite
Performing Excess, Performing Affect: An Affective Investigation of Cindy Sherman’s Untitled Film Still #27
Furnishing History: Curating Authenticity at Versailles
