Canvas 2/19/20 Canvas 2/19/20

Dolls that Appall: An Analysis of “Black Canadiana Memorabilia” through “Mammy” and “Topsy” Stereotypes in Twentieth Century Canadian Dolls

Canvas 2/18/20 Canvas 2/18/20

For Everyone an Isolated Garden

Joan Meyer 1/21/20 Joan Meyer 1/21/20

Intersecting Identities in the Images of Claude Cahun

Will Schumer 1/21/20 Will Schumer 1/21/20

Crafting Identity: Rembrandt’s Early Self-Portraiture and His Approach to the Market

Sam Perelmuter 1/3/20 Sam Perelmuter 1/3/20

The Warning Within Zach Blas’s Facial Weaponization Suite

Canvas 11/24/19 Canvas 11/24/19

Performing Excess, Performing Affect: An Affective Investigation of Cindy Sherman’s Untitled Film Still #27

Canvas 5/30/19 Canvas 5/30/19

Furnishing History: Curating Authenticity at Versailles

Canvas 5/5/19 Canvas 5/5/19

Propaganda, Prosperity, and the Sea: Distortion in Jacopo de'Barbari's View of Venice

Canvas 5/5/19 Canvas 5/5/19

The Enchantment of Metapicture: Velázquez’s Las Hilanderas

Canvas 5/5/19 Canvas 5/5/19

L’œuvre Hiroshima d’Yves Klein : le vide pictural comme métaphore apocalyptique

Canvas 5/5/19 Canvas 5/5/19

An Ambiguous Instant: Oiran, or Takahashi Yuichi’s Portrayal of a Plural Japan

Canvas 4/30/19 Canvas 4/30/19

Eroticism in Repulsion: An Affective Reading of Carole Schneeman’s “Meat Joy”

Canvas 4/28/19 Canvas 4/28/19

Seeing, Saying, Doing: John Berger’s “Ways of Seeing” and Sir Kenneth Clark’s “Civilisation”

Canvas 2/27/19 Canvas 2/27/19

Perception and the Body in Vito Acconci’s “Blinks”

Canvas 2/23/19 Canvas 2/23/19

Transcending Common Understandings of Conceptual Art: An Analysis of Adrian Piper’s "What Will Become of Me" (1985, ongoing)

Canvas 1/25/19 Canvas 1/25/19

"PRONKSTILLEVEN": PRIORITIZING VISUAL EXERCISE IN A WORLD OF VANITAS

Canvas 3/30/18 Canvas 3/30/18

Divergence & Fragmentation: Contemporary Indigenous Art in the Mapped “Global” World