The Warning Within Zach Blas’s Facial Weaponization Suite
Performing Excess, Performing Affect: An Affective Investigation of Cindy Sherman’s Untitled Film Still #27
Furnishing History: Curating Authenticity at Versailles
Propaganda, Prosperity, and the Sea: Distortion in Jacopo de'Barbari's View of Venice
The Enchantment of Metapicture: Velázquez’s Las Hilanderas
L’œuvre Hiroshima d’Yves Klein : le vide pictural comme métaphore apocalyptique
An Ambiguous Instant: Oiran, or Takahashi Yuichi’s Portrayal of a Plural Japan
Eroticism in Repulsion: An Affective Reading of Carole Schneeman’s “Meat Joy”
Seeing, Saying, Doing: John Berger’s “Ways of Seeing” and Sir Kenneth Clark’s “Civilisation”
Perception and the Body in Vito Acconci’s “Blinks”
Transcending Common Understandings of Conceptual Art: An Analysis of Adrian Piper’s "What Will Become of Me" (1985, ongoing)
"PRONKSTILLEVEN": PRIORITIZING VISUAL EXERCISE IN A WORLD OF VANITAS
Divergence & Fragmentation: Contemporary Indigenous Art in the Mapped “Global” World
Doing Differently Now: Lubaina Himid and the Future of Britain’s Memorial Landscape
Public Displays of Mastery: Judith Leyster and Dutch Women Artists of the Seventeenth Century
Public Art and the Global in Montreal: A Case Study of Jaume Plensa’s Source
