Transcending Common Understandings of Conceptual Art: An Analysis of Adrian Piper’s "What Will Become of Me" (1985, ongoing)
"PRONKSTILLEVEN": PRIORITIZING VISUAL EXERCISE IN A WORLD OF VANITAS
Divergence & Fragmentation: Contemporary Indigenous Art in the Mapped “Global” World
Doing Differently Now: Lubaina Himid and the Future of Britain’s Memorial Landscape
Public Displays of Mastery: Judith Leyster and Dutch Women Artists of the Seventeenth Century
Public Art and the Global in Montreal: A Case Study of Jaume Plensa’s Source
The Multiple Dimensions of David Ruben Piqtoukun’s Our Spirits: They Soar High
The Reflection of Age and Beauty in Titian’s Late Style
Composing a Room of One’s Own: Feminine and Erotic Space in the Work of Vanessa Bell
Re-examining a Radical: The Subtle Feminism of Vanessa Bell
Horror on the Margins: Embodying Otherness in Craft Media
Minimalism and Meaning-Making: The Self-Referentialism of Frank Stella’s Black Paintings
Looking for an Audience: Princess Nokia, Afropunk Festival, and the Cultural Politics of Sound
The Urbanization of China's Landscape Art: Contemporary Artist Yang Yongliang Reimagines the Ideology and Style of the Northern Song’s Landscapes
The Baggage of the Colonized: Self-Conscious Othering in a Global Contemporary Art World
A Visual Language of Eroticism: Violence and Sexuality in Cézanne’s Male Bathers
